Glazer's Camera

  • Just Announced: Canon EOS R Mirrorless Full Frame Camera System


    Today Canon announced their new Canon EOS R Full Frame Mirrorless System. The foundation of this system is an entirely new lens mount, designed for optical excellence today and incredible optical potential for the future.

    The new Canon EOS R Full Frame Body includes a multitude of specifications including:

    • 30.3 Megapixel Full Frame CMOS Sensor
    • ISO range 200 – 40,000
    • Dual Pixel AF and Focus Guide
    • Eye Detection AF
    • Focus Peaking
    • Phase-difference detection system with image sensor
    • High Speed Continuous shooting: Max, approximately 8fps
    • Video: 4K 30p, Full HD 60p, HD 120p
    • Silent Shutter
    • Magnesium Alloy Body
    • Built-In EVF with 3.69 Million Dots
    • Vari-angle Touchscreen LCD

    Weighing in at a mere 1.28 pounds, this camera will be a joy to travel with or enjoy on those days when you want to carry a smaller camera. 

    Jimmy Chin, Canon Explorer of Light
    Canon EOS R w/ RF 50MM f/1.2 L USM
    Settings: 1/400s | f/6.3 | ISO 100


    Jimmy Chin, Canon Explorer of Light
    Canon EOS R w/ RF 50MM f/1.2 L USM
    Settings: 1/400s | f/6.3 | ISO 100

    “Having a new lens system that’s extremely sharp. Having the adaptability to us existing EF Lenses. This is the kind of system I’ve been waiting for.” – Jimmy Chin, Canon Explorer of Light.


    Along with the announcement of their new camera, includes a line up of RF lenses. These lenses are designed to work with the new EOS R Full Frame body. If you are already invested in Canon lenses, you can purchase a mount adapter, allowing you to use your EF/EF-S lenses on this newer camera.

    This new EOS R Lens line-up includes


    RF 28-70mm f/2 L USM

    A flexible, zoom lens, offering a great range of focal lengths for landscape, street, travel and even portrait photography.

    RF 50mm f/1.2 L USM

    Open up the world of low light with this gorgeous lens, capture great detail and beautiful background blur.

    RF 24-105MM f/4 L IS USM

    If you only want to carry one lens, this could be the one, the range of this zoom has you covered!

    RF 35MM F/1.8 Macro IS STM

    Capture details and get close with this compact, lightweight macro lens.


    Image by Lindsay Adler, Canon Explorer of Light
    Canon EOS R w/RF 28-70mm f/2 L IS USM Lens
    Settings: 1/100s | f/2.0 | ISO 800


    Image by Lindsay Adler, Canon Explorer of Light
    Canon EOS R w/RF 24-105mm f/4 L IS USM Lens
    Settings: 1/200s | f/4 | ISO 320

    “I was thrilled to see how the system’s new features made my job easier and allowed my to capture striking, storytelling imagery, without having to worry if the gear could keep up.” – Lindsay Adler, Canon Explorer of Light



  • Contest! Cristina Mittermeier – “Standing at the Water’s Edge” Tickets

    Young Kayapo girl bathing in the Xingu River, before the dam, by Cristina Mittermeier


    National Geographic Live — Standing at the Water’s Edge

    Contest time!

    We have a great love of the arts, as you can imagine! We’ve recently partnered up with the Seattle Symphony to put together some fun contests! In April, they’ve provided tickets to one of their upcoming National Geographic Live events, which is a fabulous tie in to Glazer’s, and to photography. The event in April features Cristina Mittermeier, called “Standing at the Water’s Edge”.

    Cristina is a photojournalist whose work has a focus on the environment, her background as marine biologist gives her a special connection to the sea, oceans and rivers of the world.

    From the Seattle Symphony Website:

    Photojournalist Cristina Mittermeier knows the power of water: the power to give life when it is respected, and the power to destroy when it is misused. During her time with the Kayapó people in the Amazon, she documented a society that relied on their local waterway to survive — and found their way of life threatened by a massive new dam. In British Columbia, she found First Nations protecting their sacred headwaters, and in Hawaii, a new community of indigenous peoples seeking to reclaim their connection to the sea. She learned that one concept bound these three disparate communities together: “Enoughness,” or taking only that which you need.

    Cristina is a Mexican-born marine biologist and photographer specializing in conservation issues surrounding the ocean and indigenous cultures. As a writer and a photographer for the past 25 years, her work centers on the delicate balance between human well-being and healthy ecosystems.

    Enter to Win a pair of tickets to the event on April 8th at 2PM.

    How to win!

    To win: 
Follow @SeattleSymphony & @GlazersCamera on Instagram.

    Comment on this post and tag a friend you would want to take with you. 
We will select a winner, at random, April 2nd. Winner will be contacted via Instagram Instant Message.

    To read more about this event or other upcoming Nat Geo Live events, head over to the Seattle Symphony Website

    Special thanks to our friends at Seattle Symphony for their support! 

  • Just Announced: Fujifilm X-H1


    Announced today is the Fujifilm X-H1.

    This camera brings you the best of the existing Fujifilm features and blends them with exciting enhancements that filmmakers are going to love. This is the first ever X Series camera with 5-axis in-body image stabilization, as well a flicker reduction mode. These elements will be very beneficial for filmmakers and sports photographers.


    Features include:

    – 24.3 megapixel APS-C sized X-Trans CMOS III sensor
    – Robust Weather-Resistant Body
    – Camera operability in temperatures down to -10°C/-14°F
    – High-Magnification Electronic Viewfinder
    – 3-direction tilt 3-inch LCD
    – 1.28”sub-LCD on the top of the camera
    – Larger grip
    – Leaf-Spring Shutter-Release Button
    – Near silent shutter sound
    – AF-ON Button
    – New Focus Level
    – 25% thicker magnesium alloy than  X Series models




    Features for the Filmmaker

    Along with the 5-axis in-body image stabilisation, the X-H1 is the first camera in the X Series to include ETERNA, a new film simulation ideal for shooting movies. This mode simulates cinematic film, creating understated colors and rich shadow tones, greatly enhancing creative freedom during post-processing.

    The camera’s video image quality has been improved to include the 1080/120P high-speed video mode (1/2, 1/4 and 1/5 speed slow motion) for recording spectacular slow-motion footage.

    – F-log SD card recording which aids smooth workflow
    – DCI 4K shooting mode (4096×2160)
    – 400% dynamic range setting (approximately 12 stops)
    – 200 Mbps high bit rate recording
    – High-sound quality internal microphone (24 bit/48 kHz) and verbal time codes

    Pre-Order your new Fujifilm X-H1 (Body Only) or Fujifilm X-H1 with Vertical Grip, they start shipping March 1, 2018


    Wide Eyecup EC-XH W

    X-H1 Vertical Power Booster Grip

    Cinema Lenses

    Expected to join the X Series lens lineup in Spring/Summer 2018, the X Mount FUJINON MKX18-55mmT2.9 and MKX50-135mmT2.9 lenses deliver high optical performance and comfortable operability for professional video shooting.

    The MKX18-55mm and MKX50-135mm are the first fully manual cinema lenses to be compatible with the X Series interchangeable lens camera lineup. In the 35mm format equivalent, MKX18-55mm covers a focal distance from 27mm to 84mm and MKX50-135mm covers a focal distance from 76mm to 206mm.

    Combined with X Series’ unique color reproduction technology, MKX lenses further enhance the range for professional video shooting.

    MKX18-55mmT2.9 Lens


    MKX50-135mmT2.9 Lens